The Generals of October by John T. Cullen, Simon & Schuster, October 2004 -- as sinister forces seize power, only two young Army officers, David Gordon and Victoria 'Tory' Breen, can unravel the dark secrets of Operation Ivory Baton to the nation
John T. Cullen has authored over 20 books, including The Generals of October (Simon & Schuster, 2004)—pulse-pounding political-military suspense fiction set in a near-future U.S. Constitutional crisis.
Scorpion--a screenplay by John T. Cullen--out of the horrors of the Balkan Wars rises a strange serial killer
John T. Cullen also writes screenplays, including one for Nebula Express (adapted from his SF novel) and the violent, darkly glistening, utterly strange tale of a serial killer in Scorpion.

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Copyright © 2005 by John T. Cullen. All Rights Reserved.
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Nebula Express by John T. Cullen

The Generals of October

a novel

by John T. Cullen

38

The elevator shot downward and ground to a stop on the 15th floor. The car was locked into position. A bell rang loudly for a moment, boots tromped off, then fell silent. They were alone. In the stuffy silence, they communicated in whispers.

David said: “Down five more floors before we reach the connecting tunnels to Tower 2 and Tower 1.”

“Let’s wait it out,” Mattoon said. “I’m so terrified I don’t know if I can ever let go of this bench and stand up.”

“So far so good,” David said. “I’m just glad it stopped moving.”

“Could we hop out here? Ease down into the car and split?”

“I wouldn’t take the chance.” Inwardly, he wondered how they’d get off. Looking up, he saw a service platform, but it was ten feet up and four feet across the abyss. As he pondered this, his hands encountered something hard. He looked closer in the dim light, and made out a hand-held control box on a cable. He lifted it, grinning. “Look, Sir. I’ll have you out of here in a minute.” The control box had buttons to make it go up or down, faster or slower. A technician was supposed to be able to ride the thing up and down while repairing the pulleys and what not, and he couldn’t very well reach the buttons inside. David grinned as he pushed green. The car lurched. “Oh Jesus, My Lord and Savior,” Mattoon said, looking terrified. Another button, and the car began moving down. Touching a bar on the side made it go faster. But only so fast. Inching down, the car slowly, slowly descended. To the 14th Floor.

“Oh my God,” David said looking up. “The door is still open on the floor.”

“Hope they don’t step without looking,” Mattoon said as 14 passed by. “Not that I care about them, but if they land on us—”

They just reached 13 when someone shouted above: “Hey! The elevator’s gone.” Someone else shouted: “Look, there’s people on top!” Another voice: “Call downstairs. Get people on every floor, every door. It’s them! We got them!” Floor 12 passed with agonizing slowness. A crowbar thrust through the Floor 12 door’s rubber center buffers, without effect, and the crowbar withdrew. “We’ll get ‘em on the next floor,” a man said coldly as if hunting squirrels.

“Can’t we cut the power?” someone else asked.

“We’re on emergency power; we’d cut the lights too. Can’t do it.”

David had a sudden inspiration. Handing the controls to Mattoon, he reached across the roof and grasped an exposed yellow cord, evidently providing power to something. He gave a yank, and the cord came free just as the car reached 11.

The car came to a dead stop.

“You cut the power,” Mattoon whispered. “Oh God what now!”

The crowbar pried through the rubber again, and a raw-knuckled hand reached in. David touched the thick twist of exposed copper wire at the end of the yellow cord to the crow bar. There was a popping sound and a smell of smoke. The crowbar fell clattering down the shaft, bouncing this way and that. On the other side, a group of men were cursing and wailing, stung by 220 volts and enough amps to drive a powerful engine.

David and Mattoon fumbled the cord back into its connector. There was a burst, a puff of smoke, but thankfully no fuse out. The elevator began to drop again. At the 10th floor, the commandos had the door open and were waiting in a flurry of flashlights. “There!” one shouted. “Hop on and get them alive!”

David kept the elevator moving. There was no escape if they went up—just minutes of agonized waiting for the commandos to come and get them. As the elevator car rumbled past the floor, three men leapt into the void. Two landed on the car, one with his boot on David’s hand. A third one grunted, groaned, tried to hang on, and then fell flailing with a long sickening scream that came to a soggy ending many seconds later. David pulled the power cord out of its connector and thrust it against the closer man’s thigh. The elevator stopped. There was a rush of smoke, a scream, a stench of burned flesh, and the man collapsed on top of David. The other man had a knife in his hand and was bending over to stab Mattoon. As he raised the knife, David applied the power to his back.

Nothing. This time the fuse must have tripped and the elevator wouldn’t move. David reached over and slid the knife wielder’s gun from his holster. The knife-wielder couldn’t quite see in the dark, and kept moving his head, trying to focus on his target. David slid the safety off and shot the man in the torso. Mattoon pulled down the sagging body and propelled it on a silent journey into darkness.

“Get some lights in here!” a voice yelled above.

David pulled on a lever that released a mechanical brake, and sent the elevator into a slow, jerky, powerless descent. Mattoon tucked the other gun into his belt. Just before the 9th floor, a service shaft opened up. As the men above beamed a light down, David and Mattoon leaped across onto a shelf like the one they’d been on near the 30th floor.

“They’re in the service shafts!” a voice yelled.

“Smoke ‘em out. Get tear gas down there!”

“No, if smoke goes in the ventilator shafts we’ll screw up the whole hotel and screw ourselves. We have enough guys. We’ll comb every inch of the shafts until we—” The rest of his statement was drowned out as David and Mattoon climbed into a different shaft.

“If we don’t get away, this is the first place they’ll look,” Mattoon said.

“There should be a shaft crossing over soon,” David said, praying Bellamy was right again. Both men continued descending down the steel rungs as fast as they could, into blackness, into blindness, into the unknown.

“I see light below,” Mattoon said.

Sure enough, they were descending into a brighter area. “It’s a ventilation duct,” David said as they emerged into a tunnel of blood-red brick, a cross between a catacomb and a baking oven. “We’re on the 5th floor.” It was one of those moments, like standing in the lobby, when the building’s immensity made itself felt. Warm air hovered in the huge corridor. There was a dead light every few feet, but there were enough emergency lights to offer visibility. Beyond the lights was a deadness, a stillness, that signified all extraneous machinery was off. In the tunnel, although a warm breeze lingered, there was no sound of propellers pushing it. The tunnel ran straight as an arrow, and they crossed the five hundred feet into Tower 2. Once or twice they heard voices, and they ducked into alcoves, but the only thing they heard close by—or felt—was a rat or two scurrying around their ankles. Mattoon lifted his ankle as though he’d kicked something. “Damn! Time for the civilians to come back with their cats and clean out the vermin.”

“More ways than one,” David said.

They came to Tower 1. The shaft ran on, but David pointed to a wall stenciled Elevators. “We’ve got to find a service shaft and go up to the 10th. That’s where we’re supposed to meet Devereaux’s people.” He blindly followed the instructions relayed by Bellamy from Devereaux, but how could the general possibly get anyone into this fortress to extricate Mattoon?

“Here,” Mattoon said, lifting a sheet of plywood from a brick opening. It was dark in there, and reminded David more than ever of an oven. Without benefit of flashlights, David reached forward and felt a ladder. He felt a gentle gust of air rise to his face. Smelled musty. Spiders fled from his face. “Careful,” David said, “the shaft drops down who knows how far. Nine floors for all I know.” As he climbed up the steel rungs, Mattoon right behind, David’s eyes became accustomed to the dark.

They climbed for several minutes.

After moving forward a few yards, David saw a dim light. “It’s another one of those shelves,” he said. He had a sense of deja vu as they climbed up there. Again, they were prisoners in a concrete tomb, with only the elevator shaft opening off to one side.

“I hear noises down below,” Mattoon said.

At that moment, they heard a shout. “Over there. On that shelf. It’s them!”

Glancing up and to the right in the four-car shaft, David saw young faces staring at them, insane with hatred. Assault rifles clicked as safeties went off. He and Mattoon barely managed to duck out of the angle of fire, pinned on a few square inches.

The shaft filled with noise and acrid powder. The air whizzed with bullets and bits of concrete nicked off the shelf. Several pieces stung David’s face, and he covered his eyes. “We can’t get back to the ladder, and they’ll be at the other door in a few seconds!” he said. He was beginning to think he’d have to let Mattoon make a run for the ladder while he offered covering fire from both handguns. That might save the Chairman, he knew, but it would cost him his life.

If you like what you're reading, please send at least two other avid readers to this website.
     —Thank you!  …Your grateful author, John T. Cullen.
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Copyright © 2005 by John T. Cullen. All Rights Reserved.

John T. Cullen has been a pioneer in digital publishing since 1996. He is listed by digital publishing historian Karen Wiesner as the sixth digital publisher in history, and the second person to publish serialized chapters on line (starting 1996). His web magazine Deep Outside SFFH was the first to be listed along with the professional pulps in Writer's Market (1999) and was at one time the oldest professional SFFH magazine in the world. John T. Cullen continues to explore new ways to adapt the primordial power of storytelling to emerging new digital opportunities as the Third Millennium springs to light.

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A Walk in Ancient Rome by John T. Cullen, Simon & Schuster 2005, 2d Ed. Summer 2008
A Walk in Ancient Rome John T. Cullen (Simon&Schuster May 2005) innovative, acclaimed walking & teaching tour—explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history—smell and taste the very air of Classical Rome.



= Summer 2008 =

A Walk in Ancient Rome by John T. Cullen, Second Edition - Summer 2008, originally First Edition Simon & Schuster 2005
A Walk in Ancient Rome, Second Edition John T. Cullen (Clocktower Books 2008)—New! Many new maps; images from the unique scale model of AndréCaron of Quebec. Read this innovative book, with its acclaimed walking & teaching tour. Explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history. Smell and taste the very air of Classical Rome. The new edition is bigger, like an atlas. Some people have carried the 1st edition with them to Rome, and found it greatly enhanced their experience.




Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. by John T. Cullen, (Clocktower Books, San Diego, Summer 2008)
Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. John T. Cullen (Clocktower Books, San Diego, Summer 2008). John T. Cullen has tackled the mystery of the ghost at the Hotel del Coronado. He has assembled a dramatic new theory about how and why she violently died on the back steps of the hotel in 1892. A first-class ghost story and whodunit wrapped in one.