The Generals of October by John T. Cullen, Simon & Schuster, October 2004 -- as sinister forces seize power, only two young Army officers, David Gordon and Victoria 'Tory' Breen, can unravel the dark secrets of Operation Ivory Baton to the nation
John T. Cullen has authored over 20 books, including The Generals of October (Simon & Schuster, 2004)—pulse-pounding political-military suspense fiction set in a near-future U.S. Constitutional crisis.
Scorpion--a screenplay by John T. Cullen--out of the horrors of the Balkan Wars rises a strange serial killer
John T. Cullen also writes screenplays, including one for Nebula Express (adapted from his SF novel) and the violent, darkly glistening, utterly strange tale of a serial killer in Scorpion.

If you like what you read here, please send at least two other avid readers here so a growing readership can enjoy these books. That would be a great, painless, easy way to provide a huge assist. If you'd like to do more...click.


go to chapter 5

Copyright © 2005 by John T. Cullen. All Rights Reserved.
go to cover page
Comment: publishers@cox.netgo back to the Reading Room



go to chapter 7

Cover  
Synopsis  
Buy  
Home

Go to Chapter:  
 1    2     3     4     5     6     7     8     9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58  

Nebula Express by John T. Cullen

Monopol City

a novel

by John T. Cullen

6.

The gravel parking lot of the high park overlooking the city filled with small white police cars. Hedrock backed the van up, put it in gear, and made the van jump forward. As he did so, instinct told him it was going to be a rough ride. He tugged his seatbelts tight.

Everything seemed blurry. On his left, he saw the city, and a flashing white streak as a patrol car cut him off. On his right, he saw Moira struggling to jump from the van. He reached over, grabbed a handful of her hair, and violently yanked her toward him. As he did so, he gunned the van and rammed between two police cars to try and escape. Meanwhile, Moira was struggling, clawing, crying, punching. He held her hair and slammed her head down on the steel floor. She sat stunned and bleeding on all fours. He held the wheel in both hands as he did bumper-cars among the police cars, which were all lighter and smaller than the van. Shots rang out. The windshield shattered. Cops were jumping from cars with drawn guns.

Alton Hedrock reached up under the ceiling, pulled down the assault rifle, crouched half-upright, and sprayed the parking lot. As the assault rifle chattered, he saw legs and shoes in the air. He knew he must not let them overwhelm him like this. What to do?

Throwing the assault rifle aside, he gunned the car again. The engine roared mightily as the clutch let out. Moira was just starting to put one hand up on her seat to get up. He ignored her, holding the wheel with both hands as he crashed through the low stone wall. The van lurched upward like a missile. Bits and blocks of stone and mortar as well as weeds grown in cracks exploded outward. For a second, the van looked like a bread loaf spinning in empty air. No more shots hit it—the cops must be stunned.

Moira screamed briefly and then fell silent as she clutched the seat. She couldn't get a grasp, and her hands slipped. He saw how white her desperate fingers looked. Her eyes, too, looked white and scared. She regarded him with sheer terror written in her gritted teeth, her frozen scream, her beautiful eyes.

All he could do now was hang on.

Somewhere below were streets, neighborhoods, escape routes if his luck held. The van impacted in a tree crown and slowed. Amy still writhed, trying to gain a grip on the slippery, dirty old leather of the seat. The van slowed, then started moving again. Branches cracked, snapped, exploded, and yielded. The van started sliding fast again. Branches slammed into the cab. Hedrock managed to duck down and cover his head. The last he saw of Moira was her legs as she was pulled from the shattered passenger window, impaled on a branch. Already, her legs made death twitches, in just that second before the van tore loose and sailed down into the houses below. Hedrock lay back in the seat, crossed his arms over his chest and face, squeezed his knees together, and thought of the rising sun flag of East Gotha. He had never imagined that would be his last thought as he faced death. He liked it. It seemed patriotic. It validated all that he had achieved. If this was the end, it was a decent way to go.

No time for more thoughts.

The van landed on a slate rooftop, which braked its fall. Slate crackled and shattered in thin layered plates all around him. The van's chassis buckled and twisted but the vehicle held together. The roof timbers cracked, groaned, cracked, and then snapped. The van dropped down into a bedroom, onto an empty bed whose owners had luckily gone to work or whatever. The van came to rest on the bed like a lion draped over its kill.

Bleeding from the mouth and ears, Hedrock unsnapped himself from the harness. He laboriously kicked the bent door open enough to let himself slither down the side and onto a splintered wooden floor that groaned dangerously. Glancing up, he saw cops yelling and shouting about 300 feet overhead. They looked tiny and didn't dare shoot. People in the house were beginning to scream.

Hedrock managed to distance himself from the van and get through a door into a hallway. As he made the final leap to safety, the floor buckled and the entire room crashed down, van and all, into the next story, which then collapsed and sailed down through the next story, and so on down six or seven floors. Hedrock heard one or two brief screams, and then silence as he lowered himself down the broken piles of rock floor by floor. He saw a few places soaked with purple blood and macerated body parts.

Main thing, he was still mobile and moving fast now. He'd ache later. He'd find a place to lair down and hide until his bruises healed. Maybe he had broken bones. Right now, with adrenaline pumping through his system, he didn't know or care. He felt nothing, except the exhilaration of chase and escape. He'd managed to survive yet another close call.

Climbing out through a rear kitchen window, he hobbled away through someone's vegetable garden, through a back gate, and down a rear alley, even as only the faintest distant keening of sirens became audible. He'd live to fight these bastards another day. More important than that, he must find his wife and promise that now everything would be different.

If you like what you're reading, please send at least two other avid readers to this website.
     —Thank you!  …Your grateful author, John T. Cullen.
Cover  
Synopsis  
Buy  
Home

Go to Chapter:  
 1    2     3     4     5     6     7     8     9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58  

  go back to top of page  
go to chapter 5

Other gripping books by the author:


Read other exciting books by John T. Cullen

Copyright © 2005 by John T. Cullen. All Rights Reserved.

John T. Cullen has been a pioneer in digital publishing since 1996. He is listed by digital publishing historian Karen Wiesner as the sixth digital publisher in history, and the second person to publish serialized chapters on line (starting 1996). His web magazine Deep Outside SFFH was the first to be listed along with the professional pulps in Writer's Market (1999) and was at one time the oldest professional SFFH magazine in the world. John T. Cullen continues to explore new ways to adapt the primordial power of storytelling to emerging new digital opportunities as the Third Millennium springs to light.

go to chapter 7
A Walk in Ancient Rome by John T. Cullen, Simon & Schuster 2005, 2d Ed. Summer 2008
A Walk in Ancient Rome John T. Cullen (Simon&Schuster May 2005) innovative, acclaimed walking & teaching tour—explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history—smell and taste the very air of Classical Rome.





= Summer 2008 =

A Walk in Ancient Rome by John T. Cullen, Second Edition - Summer 2008, originally First Edition Simon & Schuster 2005
A Walk in Ancient Rome, Second Edition John T. Cullen (Clocktower Books 2008)—New! Many new maps; images from the unique scale model of AndréCaron of Quebec. Read this innovative book, with its acclaimed walking & teaching tour. Explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history. Smell and taste the very air of Classical Rome. The new edition is bigger, like an atlas. Some people have carried the 1st edition with them to Rome, and found it greatly enhanced their experience.




Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. by John T. Cullen, (Clocktower Books, San Diego, Summer 2008)
Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. John T. Cullen (Clocktower Books, San Diego, Summer 2008). John T. Cullen has tackled the mystery of the ghost at the Hotel del Coronado. He has assembled a dramatic new theory about how and why she violently died on the back steps of the hotel in 1892. A first-class ghost story and whodunit wrapped in one.