The Generals of October by John T. Cullen, Simon & Schuster, October 2004 -- as sinister forces seize power, only two young Army officers, David Gordon and Victoria 'Tory' Breen, can unravel the dark secrets of Operation Ivory Baton to the nation
John T. Cullen has authored over 20 books, including The Generals of October (Simon & Schuster, 2004)—pulse-pounding political-military suspense fiction set in a near-future U.S. Constitutional crisis.
Scorpion--a screenplay by John T. Cullen--out of the horrors of the Balkan Wars rises a strange serial killer
John T. Cullen also writes screenplays, including one for Nebula Express (adapted from his SF novel) and the violent, darkly glistening, utterly strange tale of a serial killer in Scorpion.

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Neon Blue by John T. Cullen

Neon Blue

a novel

by John T. Cullen

8.

Hamilton, Connecticut

Vincent Brady's nightmare, the one he'd had since childhood: Here it was again. Another tormented night. The night was black and bitter cold. Flurries of snow (tiny, crabbed flakes tortured into ice that bit the cheeks) rattled against the windows, dark granite blocks rimed with black ice. In the dark, wood-floored room, a clock ticked loudly. There was always, somewhere in this big building, water sighing and gurgling stealthily in pipes. As he snored, the Monsignor twisted and moaned.

East Texas. The town of Careyville, population 350, all pious Southern Baptists. The way the town wags had it, it waren't the widda's fault. Her old man, the preacher Nesbitt Brady, a good man and a rousing preacher but a mean drunk, had come home and knocked the boy about. Upended the table. Beat the widda. She knocked him on the head in self-defense while the boy cowered in the closet crying. Old Nesbitt done got in his car--folks wonderin' how, maybe the car done drove itself--and went to Ledbetter's Tavern crost the river for another pint or so of that Texas lightnin'. Returned at four in the morning ragin' like a fleabit ox. Hollerin' his fool head off he was gonna kill Edna and the boy cause she'd been foolin' around with some other man, which was pure hokum, cause the widda's pure as Sunday lace. Anyhow he got a pitchfork from the barn and was kickin' the front door in when Edna blew him away with both barrels of his own twelve gauge shotgun. Some say the boy's watchin the whole thing from the side o' the porch and got slightly tetched ever since.

Snow rattled against the loose window pane near the TV, and Monsignor Gordon cried out in his sleep.

Fearfully, he climbed out the window when he heard his daddy driving in swearing and yelling. From the side of the porch he watched his daddy kicking at the door. Then the door opened. The Angel of Death stepped forth and belched mouthfuls of fire. His daddy flew away in a mangle and tangle of blood and bone. The boy screamed and screamed. His momma came and hugged him. The Angel of Death took flight because of Momma's powerful love. But sometimes Momma's eyes lit up like the Angel of Death's. At such times little Vincent Brady would hide behind the sofa or in the closet. As he grew up, he came to hate his momma as much as he loved her. He hit the road when she died, a chicken bone stuck in her gullet, a final steely glance as she reached out to him....

*

Next morning, at breakfast, Vincent Brady, a.k.a. Monsignor Gordon, was stirring his coffee at the kitchen table in the rectory of the Church of the Good Shepherd when his eyes chanced upon an article on page 4 of the Hamilton Daily Watch:


                  Federal Witness, Prison Guard Slain;
                  Key To Drug Investigation Lost.

Vincent shook, and the coffee cup rattled. Father Tiernan, the pastor, looked out from behind the sports section. "Are you all right, Monsignor?" Tiernan was a slight, owlish man with a halo of dark hair around a bald pate. He wore black-rimmed glasses and had a warped nose.

"I just dropped my spoon, Father."

Tiernan fluffed the sports page and buried himself back in the horse racing articles. Vincent glanced aside quickly to see if anyone had noticed. But the three younger priests had already left--one to say Mass, another to visit the sick, and the third to argue at the bank about a bounced check. Vincent read the rest of the article and blanched. Until now he had looked at his involvement as a harmless game; not any more. He left his coffee and rose. "Father, I'll be going."

The sports page rattled. "Okay, Monsignor," Father Tiernan said without flinching from his favorite morning pastime. Vincent went to his small suite of rooms. It was a cozy but austere setup on the second floor of the rectory. He had a television set and books. He loved glossy art books. Every Christmas he would pointedly buy himself a new colorful collection of Titian or Rembrandt or Tissot works, instead of something godly, just to spite her. He found his black hat and coat and car keys.

*

Vincent Brady had escaped from the tiny East Texas town of Careyville and worked his way north, first picking cotton and fruit, later doing custodial work at a small Pennsylvania Catholic parish and reading voraciously in his free time. There he'd gotten the idea, slowly, to become a Catholic priest. The exposure to this Mediterranean culture, with its statues and outward symbolisms that he'd heard condemned all his life as idolatry and worse, had fascinated him. There was power in this ancient and primitive ceremonial religion. In his heart of hearts he'd never really taken it completely seriously. But there was one pressing reason why he pursued it all the way to seminary. As a priest, he had the power to ward off devils and evil spirits. One of the ranks you had to attain before becoming a priest was that of exorcist--porter, lector, acolyte, subdeacon, deacon, exorcist, priest. With that power, he should be able to raise his hand in the sign of the cross and drive away the Angel of Death who seemed to haunt him wherever he went. The Church had paid his way through seminary and then graduate school. He was a Monsignor by the age of 38, sort of the Church's MBA, in charge of administrative and financial matters, ranking above the priests and the parish pastor, and able to lead a life of his own. Then, like most men in their forties, he'd begun to be tormented by his mortality. His marriage to this Church was little different from marriage to a wife. The Church demanded his chastity, much as an aging wife (he'd heard all this in confessions, nobody could be more attuned than a confessor) demands that her spouse dry up his balls and forget looking at all the pretty little flitty things. The demands of the flesh were severe, and he'd begun to fold to them. He could consort with whores by night, and by day rant and rail all the more strongly against the vices of the flesh. It was a self-sustaining cycle, and he felt at home in the company both of corrupt popes and fallen evangelists. He was like a drunk. He thought, Now that daddy's gone, momma's turning all that fearsome anger on me. In the morning he'd swear he'd never again, and by nightfall the demon was out of the bottle again. The demon of it grew voracious. The Angel of Death stayed with him, and that made him slightly dotty. If only he could rid himself of that. Every time he turned and said, "Go, the Mass is ended," there she was, Edna, his mother, sour disapproving face, eyes filled with hellfire and condemnation, in the back of the church, and when he gave the blessing, she disappeared, so there truly was something to this Catholic business.

*

Vincent parked his old Mercedes and found the familiar phone booth by the park. Using the special credit card Hugh Stone had provided him (under an assumed name) he called Palm Springs.

"Hugh. I read the paper this morning. Witness slain."

"He was going to key them to a lot of information about us."

"Hugh, I never thought...this is...it's gone too far."

"No, Vincent, it's going along fine. You're safe now, don't you see? Are you nervous?"

"I'm floored. I'm nauseous. Murder!"

"Listen, little man, this is all a little bit over your head. You just keep counting the alms and leave the serious stuff to the big guys. Do you understand?"

"Hugh, I want out."

"No, Vincent. There is no way on God's earth you can get out. Don't be a fool, man. You wanted to play in the big leagues, and you had the chips, so we let you. Now you want to cut and run. Well, that isn't how it goes. You're along for the ride. Any further questions?"

"No, Hugh."

"Good. It's day six and the clock is ticking. Are you about ready to turn the money over so we can get on with it?"

"Yes," Vincent said miserably. After the call, Vincent wiped a tear from his eyes and staggered back to his car. The icy cold weighed on him like old age. Sitting behind the steering wheel, he thought about his options. They were scarce. Sometime soon, he would have to disappear from the Church. That much was clear. At the moment, he had three million dollars salted away in about twenty bank accounts. He wondered how many of those bank accounts Hugh Stone knew about. One consolation: He could not know about the Chicago account.

Vincent appeared at the Church of the Good Shepherd in time for his eleven o'clock Mass. He went through the motions, and as always at this particular Mass, there were two knowledgeable altar boys from the grammar school, and a congregation of mostly elderly women who adored Vincent and preferred to attend a monsignor's Mass. As the church bells rang in appeal for the coming twelve o'clock Mass, the rafters rocked majestically under the motion of the massive bells. Vincent changed the bread into the Body of Christ, imploring his sins be forgiven. As he changed the wine into the Blood of Christ, he begged for mercy. Minutes later, Vincent turned and blessed the congregation: "Go, the Mass is ended."

In the back of the church stood the Angel of Death. No, it was his mother, Edna Brady. Or was it both. As he made the sign of the cross, she looked at him full of sour condemnation, turned away, and disappeared into the solid stone wall.

"We thank the Lord our God," the congregation answered.

Vincent trembled. Once again, he'd driven it away. How many more times could he? He followed the altar boys into the sacristy where they would trade their red cassocks and virgin-white surplices for play clothes and run outside, while a stashed bottle of Johnny Walker Black awaited Vincent.

If you like what you're reading, please send at least two other avid readers to this website.
     —Thank you!  …Your grateful author, John T. Cullen.
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Copyright © 2005 by John T. Cullen. All Rights Reserved.

John T. Cullen has been a pioneer in digital publishing since 1996. He is listed by digital publishing historian Karen Wiesner as the sixth digital publisher in history, and the second person to publish serialized chapters on line (starting 1996). His web magazine Deep Outside SFFH was the first to be listed along with the professional pulps in Writer's Market (1999) and was at one time the oldest professional SFFH magazine in the world. John T. Cullen continues to explore new ways to adapt the primordial power of storytelling to emerging new digital opportunities as the Third Millennium springs to light.

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A Walk in Ancient Rome by John T. Cullen, Simon & Schuster 2005, 2d Ed. Summer 2008
A Walk in Ancient Rome John T. Cullen (Simon&Schuster May 2005) innovative, acclaimed walking & teaching tour—explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history—smell and taste the very air of Classical Rome.





= Summer 2008 =

A Walk in Ancient Rome by John T. Cullen, Second Edition - Summer 2008, originally First Edition Simon & Schuster 2005
A Walk in Ancient Rome, Second Edition John T. Cullen (Clocktower Books 2008)—New! Many new maps; images from the unique scale model of AndréCaron of Quebec. Read this innovative book, with its acclaimed walking & teaching tour. Explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history. Smell and taste the very air of Classical Rome. The new edition is bigger, like an atlas. Some people have carried the 1st edition with them to Rome, and found it ggreatly enhanced their experience. Preorders start Spring 2008.




Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. by John T. Cullen, (Clocktower Books, San Diego, Summer 2008)
Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. John T. Cullen (Clocktower Books, San Diego, Summer 2008). John T. Cullen has tackled the mystery of the ghost at the Hotel del Coronado. He has assembled a dramatic new theory about how and why she violently died on the back steps of the hotel in 1892. A first-class ghost story and whodunit wrapped in one. Don't miss it! Preorders start Spring 2008.