The Generals of October by John T. Cullen, Simon & Schuster, October 2004 -- as sinister forces seize power, only two young Army officers, David Gordon and Victoria 'Tory' Breen, can unravel the dark secrets of Operation Ivory Baton to the nation
John T. Cullen has authored over 20 books, including The Generals of October (Simon & Schuster, 2004)—pulse-pounding political-military suspense fiction set in a near-future U.S. Constitutional crisis.
Scorpion--a screenplay by John T. Cullen--out of the horrors of the Balkan Wars rises a strange serial killer
John T. Cullen also writes screenplays, including one for Nebula Express (adapted from his SF novel) and the violent, darkly glistening, utterly strange tale of a serial killer in Scorpion.

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Robinson Crusoe 1,000,000 A.D. by John T. Cullen

Robinson Crusoe 1,000,000 A.D.

a novel

by John T. Cullen

11.

First he explored in the gallery where he had been born. He was depressed and lonely, but he was human, he lived, and therefore he had hope. He could not be the only one like Alex!

But he was disappointed. In the other birthing tanks floated an assortment of creatures like in a medical museum. In one tank floated a dead child the color of chalk, covered in bubbles. In another tank floated a mass of undifferentiated tissue, resembling a large nautilus shell covered by human skin, and in its side the hints of a sleeping face with sightless depressions for eyes. In another tank floated the longitudinal half of a person—alive! Along the tissue-thin wall down its center, healthy blood coursed in the veins, and he could see a heart pumping strongly. Its head, however, had no face, and the brain case was collapsed and anencephalic. Its well-formed arm and leg lay in an attitude of rest, and it had a faint erection. But it would be dead within hours of its birth.

He turned away from these horrors, hoping to find another like him, but the other tanks were dry and empty. The water on the floor was ankle deep, but the marks on the walls indicated it had once been waist-deep—almost up to the rims of the birthing pods. Perhaps it had once filled the entire gallery to the ceiling, and this whole place might have been one giant womb, nurturing dozens of copies of him.

Those clones would have been released from their umbilical cords, would have swum up toward the light, and clambered out on the dry floor of the caves above.

There were caves and caverns, and then more, but they dwindled into darkness and he could only go so far, no farther. He smelled oddly different air wafting his way, some of it smelling of decay, some of it vegetal, some of it almost like fresh air.

As far as he was able to explore before the wall lights and ceiling biolumes waned to nothing, he found that the caves were a disappointment. The ground rose out of the birthing area about ten feet to more galleries—but these were bone dry. He found other birthing areas, all of them dry and dusty, a few with bones in them, others with specks of mummified organic matter that crumbled to the touch. Whatever this was, it was dying. This whole place, this mother organism, was wasting away and he perceived its immense long age with a sense of his own insignificance.

He returned always to his place of birth, to his stone mother, in which now floated the uncorrupted loser of his birthing contest. He’d read once—or, more properly, Alex Kirk had read—of saints whose bodies had been immured and when the tombs were opened decades or centuries later, they were preserved in perfect blush, as if they were still alive. So floated the hideous copy of him, on his back, with streaks of the green healing vegetal matter growing over its skin. Ah, he could see now: the caves were dissolving and absorbing, consuming, the Other’s corpse to keep the birthing area antiseptically clean.

As it would eat Alex once he died. How long had this all been going on? Were the caves themselves alive? Tumid possibilities brewed in Alex’s unfolding consciousness as he prowled about the confines of his birth. In nine months he’d grown from a seed to a man. Now he was becoming restless in this blind paradise. He felt hormones exploding in his neural network, enzymes foaming over with mindless purposes which, he could guess, had to lead as all things in nature did to procreation, but if he were Adam, where was Eve? There wasn’t any, he suspected. He was alone in this universe with its dead or malformed copies of himself, in this cave of nightmares at the forward end of time.

Depressed, he sat on his haunches and whiled the hours away in fantasies of Alex Kirk’s past life. He picked at the hard material on the backs of his arms and legs until the surrounding skin bled. For while this place was not only giving him his body and brain, and filling that brain with his memories via some piggyback nanotechnology, the memories were not complete. The synapses had failed in places when the scientists were recording them. Maybe the process of recording in itself destroyed ten percent of the subject matter—so he had a pretty good knowledge of all that he had learned in school, perhaps from specially grown and specific cultures, but his personal life was a frustrating blur. Most of all he wanted to know who his parents were, so that he could claim them for his own, but memory of them seemed to be confined to early childhood. They were large shapes with comforting arms and pleasing voices that made him feel good inside, but he could not make out what they said.

He hoped in time he’d know what they had said to him to make him feel so good inside.

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John T. Cullen has been a pioneer in digital publishing since 1996. He is listed by digital publishing historian Karen Wiesner as the sixth digital publisher in history, and the second person to publish serialized chapters on line (starting 1996). His web magazine Deep Outside SFFH was the first to be listed along with the professional pulps in Writer's Market (1999) and was at one time the oldest professional SFFH magazine in the world. John T. Cullen continues to explore new ways to adapt the primordial power of storytelling to emerging new digital opportunities as the Third Millennium springs to light.

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A Walk in Ancient Rome by John T. Cullen, Simon & Schuster 2005, 2d Ed. Summer 2008
A Walk in Ancient Rome John T. Cullen (Simon&Schuster May 2005) innovative, acclaimed walking & teaching tour—explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history—smell and taste the very air of Classical Rome.





= Summer 2008 =

A Walk in Ancient Rome by John T. Cullen, Second Edition - Summer 2008, originally First Edition Simon & Schuster 2005
A Walk in Ancient Rome, Second Edition John T. Cullen (Clocktower Books 2008)—New! Many new maps; images from the unique scale model of AndréCaron of Quebec. Read this innovative book, with its acclaimed walking & teaching tour. Explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history. Smell and taste the very air of Classical Rome. The new edition is bigger, like an atlas. Some people have carried the 1st edition with them to Rome, and found it greatly enhanced their experience.




Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. by John T. Cullen, (Clocktower Books, San Diego, Summer 2008)
Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. John T. Cullen (Clocktower Books, San Diego, Summer 2008). John T. Cullen has tackled the mystery of the ghost at the Hotel del Coronado. He has assembled a dramatic new theory about how and why she violently died on the back steps of the hotel in 1892. A first-class ghost story and whodunit wrapped in one.