The Generals of October by John T. Cullen, Simon & Schuster, October 2004 -- as sinister forces seize power, only two young Army officers, David Gordon and Victoria 'Tory' Breen, can unravel the dark secrets of Operation Ivory Baton to the nation
John T. Cullen has authored over 20 books, including The Generals of October (Simon & Schuster, 2004)—pulse-pounding political-military suspense fiction set in a near-future U.S. Constitutional crisis.
Scorpion--a screenplay by John T. Cullen--out of the horrors of the Balkan Wars rises a strange serial killer
John T. Cullen also writes screenplays, including one for Nebula Express (adapted from his SF novel) and the violent, darkly glistening, utterly strange tale of a serial killer in Scorpion.

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Nebula Express by John T. Cullen

This Shoal of Space

a novel

by John T. Cullen

3.

Perry Stein’s car was at least a block long and smelled strongly of disinfectant. In the back seat were several mops and buckets. Perry and his wife took night cleaning jobs around town.

“I thought you gave that up,” Mary-Shane said as they drove along Canoga Avenue, where flowers bloomed by the shopping mall.

Perry was a tall, curly-haired Samoan with thick-lensed glasses and one wandering eye. “Naw. Matilda and I talked about it some. On a small-town paper like this you don’t make enough money. Not if you have five kids like we do.”

Mary-Shane watched expensive San Tomas stores glide by in unwavering sunshine that drew the wealthy to this peninsula. “This is exciting, Perry. I love the newspaper. Do I get to do some writing? I’m looking for a real kick-start out of this ditch I’ve been in all these years.”

“For now, you tag along. You’ll get your chance.”

“Sure, Mart Willow will fall all over himself to promote me.”

“You always did have that little bite, like maybe a jalapeno too many. What you need to do, Mary-Shane, is look for a story. Maybe a big story. Something you can put your personal stamp on. Then you’ll be on your way.”

She sat back dismayed. “It’s Mart Willow again, isn’t it? What does he think—if they print something I write, the paper will explode in people’s hands? What an asshole.”

“It’s not my idea of a way to break you in,” Perry sympathized.

The corridors of the city morgue were shadowy and cool in contrast to the growing heat outside. “I’m trying to act nonchalant, Perry, but this is my first trip to a real morgue, so grab me if I pass out.”

The body of Johnathan Smith was not, as Mary-Shane had imagined, in a cruel-looking room whose walls were covered with aluminum doors and whose concrete floors had bloody drains. Instead, it lay under a sheet in a plain, almost cozy, paneled room at one corner of the building. The blinds were drawn, but comforting sunlight peeked through. One of the live men in the room was San Tomas PD Lt. Vic Lara, the primary police investigator on the case. Mary-Shane thought he had beautiful shifting eyes. She felt attracted to him, and yet something about him gave her goose bumps. Had she known him in a dark past life or something?

Perry’s wandering eye wandered. She had once, over coffee and Danish at Vogelmann’s, heard someone of less sensitivity ask Perry how his eye got to be that way. He had held up one index finger and curled it into a hook. “Childhood fishing accident.” That answer always left a silence. (“Actually it’s Lazy Eye,” Perry had later confessed).

The Medical Examiner pulled back the sheet and there lay Mr. Smith on his gurney. It reminded Mary-Shane of old Frankenstein movies, the way his body had been ripped to pieces and approximately sewn back together. “It would have been a big, quick, powerful, and very violent animal to do this,” he said. “There have been no reports of animals missing from the zoo—.”

“Except a bear named Andy,” Mary-Shane said while Perry nudged her side.

“Well yes, so I hear, but he dropped dead in his cage. Hardly a predator.” The M.E. smiled as if speaking to a not so bright child; Mary-Shane was used to that, although it irritated her; consider the source, she always told herself. He continued: “Actually, the only animal I know that fits that description is homo sapiens.” He waved a finger over his work. “Miss, er, Mary-Shane,” the M.E. said, “the cuts and stitch marks around the neck are from the autopsy, in case you don’t know. So are the big cross cuts on the chest. As to the rest of the damage—someone or something kind of tore him apart. They simply reached in and tore his heart out. It was found some distance from the body, partially eaten by a small animal.”

Mary-Shane found the sight was neither viscerally horrible nor clinically neutral, but somewhere in-between. She felt sorry for Johnathan Smith. His reattached arms were crossed at the wrists, fingers lightly curved in rubbery repose, awaiting some funeral ceremony.

“...Like Ripper work,” Lara said. Lara had a kind of hardboiled way, Mary-Shane thought, talked with his chin cocked sometimes back, sometimes up, hands in pockets. Lara looked lean and mean in his starchy suit.

The doctor sighed. “There’s a sick one out there.”

Mary-Shane looked more closely at the face. In death, Smith did not look particularly peaceful, given the odd twist of the lips and the faint shine of eyeballs between stiff eyelids.

“Miss MacLemore,” Lara said, “sometimes people try to figure out the dead person’s expression. There isn’t any expression, just the odd way muscles and ligaments shrink and harden.”

“Call me Mary-Shane. Thanks for that information, Lieutenant.”

“You working with Perry, Mary-Shane?”

“On and off,” she said. The way he regarded her gave her the chills. Had they been acquaintances somewhere long ago? Her mind, with a subconscious life of its own, groped: In an earlier life? Beneath the ocean floor? She reached for metaphors and found no perfect one, only a memory of terrible violence, like a private Big Bang. She shrank from the past, glad to return to the warm and sunny present.

Lara’s look was penetrating but opaque. “See you around, huh?” His gaze caressed her the way one stroked a cat.

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     —Thank you!  …Your grateful author, John T. Cullen.
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Copyright © 2005 by John T. Cullen. All Rights Reserved.

John T. Cullen has been a pioneer in digital publishing since 1996. He is listed by digital publishing historian Karen Wiesner as the sixth digital publisher in history, and the second person to publish serialized chapters on line (starting 1996). His web magazine Deep Outside SFFH was the first to be listed along with the professional pulps in Writer's Market (1999) and was at one time the oldest professional SFFH magazine in the world. John T. Cullen continues to explore new ways to adapt the primordial power of storytelling to emerging new digital opportunities as the Third Millennium springs to light.

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A Walk in Ancient Rome by John T. Cullen, Simon & Schuster 2005, 2d Ed. Summer 2008
A Walk in Ancient Rome John T. Cullen (Simon&Schuster May 2005) innovative, acclaimed walking & teaching tour—explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history—smell and taste the very air of Classical Rome.





= Summer 2008 =

A Walk in Ancient Rome by John T. Cullen, Second Edition - Summer 2008, originally First Edition Simon & Schuster 2005
A Walk in Ancient Rome, Second Edition John T. Cullen (Clocktower Books 2008)—New! Many new maps; images from the unique scale model of AndréCaron of Quebec. Read this innovative book, with its acclaimed walking & teaching tour. Explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history. Smell and taste the very air of Classical Rome. The new edition is bigger, like an atlas. Some people have carried the 1st edition with them to Rome, and found it greatly enhanced their experience.




Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. by John T. Cullen, (Clocktower Books, San Diego, Summer 2008)
Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. John T. Cullen (Clocktower Books, San Diego, Summer 2008). John T. Cullen has tackled the mystery of the ghost at the Hotel del Coronado. He has assembled a dramatic new theory about how and why she violently died on the back steps of the hotel in 1892. A first-class ghost story and whodunit wrapped in one.