The Generals of October by John T. Cullen, Simon & Schuster, October 2004 -- as sinister forces seize power, only two young Army officers, David Gordon and Victoria 'Tory' Breen, can unravel the dark secrets of Operation Ivory Baton to the nation
John T. Cullen has authored over 20 books, including The Generals of October (Simon & Schuster, 2004)—pulse-pounding political-military suspense fiction set in a near-future U.S. Constitutional crisis.
Scorpion--a screenplay by John T. Cullen--out of the horrors of the Balkan Wars rises a strange serial killer
John T. Cullen also writes screenplays, including one for Nebula Express (adapted from his SF novel) and the violent, darkly glistening, utterly strange tale of a serial killer in Scorpion.

If you like what you read here, please send at least two other avid readers here so a growing readership can enjoy these books. That would be a great, painless, easy way to provide a huge assist. If you'd like to do more...click.



previous

Copyright © 2005 by John T. Cullen. All Rights Reserved.
go to cover page
Comment: publishers@cox.netgo back to the Reading Room



next

Cover  
Synopsis  
Buy  
Home

Go to Chapter:   Prolog  
 1    2     3     4     5     6     7     8     9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75  
Epilog  

Nebula Express by John T. Cullen

This Shoal of Space

a novel

by John T. Cullen

58.

The sunken marble garden of St. Andrew’s looked melancholy, drowned in rain as children trooped out and were whisked away leaving only a lonely echoing emptiness. Like my heart always was, she thought as the children clambered in, and realized how much it would hurt if she lost Roger now.

Dinner was over. The kids were in the den, chins in hands, elbows on their thick blanket, watching a Disney movie. Roger rolled in late. He looked wrung out. He took her in his arms and squeezed with an extra dimension of nervous energy. “I was right,” he said. “We found the poor guy underneath. Had to bring in an industrial crane to lift the boulder. Johnny Gep, crushed flat—it was unbelievable. Some incredible force lifted that rock and turned it over. Fifty tons. Turned it like a pebble.” She sat with him while he ate in the kitchen. “The rest of Wallace’s body was found in the tanks under the Pagoda. Workers had hell digging through all that white stuff. He’d been mauled by birds. And there was a dead owl, not that it’s proof of anything. Still, Vic Lara may have something about his alien theory.”

Jules and Patricia stopped over on Friday evening.

Mary-Shane welcomed them at the threshold, feeling a sense of family. The house had the smell of the Chatfields, a mix of dog and kid and laundry-once-a-week. But also of fireplace and dinner table and popcorn in the den. I never had any of that, the little girl inside said wistfully. Kippy, Elisa, and Rudy were playing Monopoly near the fireplace while cartoons spun unwatched.

Roger and Jules were sitting in the kitchen drinking serious booze. Jules looked shriveled and unshaven; she almost felt like giving him a bath, he looked so much like a muddy sheepdog. He seemed to be drinking lately. Woofer and Tweeter were barking and pawing for her attention. An older blonde woman, still tall and attractive though the hair color must be rinse, stood behind Jules. Roger introduced her: “Patricia Burtongale Loomis, Jules’s wife.” Jules was flushed and unshaven. He raised his glass, pushing aside Patricia’s objecting hand. “I drink to the great Mart Willow,” Jules said. “The son’f’bitch.” Down went the whiskey, and Jules had a coughing spasm.

“You are making a scene,” Patricia said primly.

“It’s about time,” Jules said. He drank a glass of water.

The kids were put to bed. Jules looked like a freight train had hit him, but he dropped sugar cubes in his coffee and stirred and seemed determined to hang in there. “You two belong together,” Jules said. Patricia tried to sshh him, but he made a face and she backed off. “Patricia, you Burtongales are always so correct and reserved,” he said, “but sometimes, honey, you just have to open your fly and let it all hang out. There, now don’t look shocked, I’m just being figurative.”

She crossed her arms. “You know damn well I don’t agree with much my family says or does and that’s why we never get invited to anything. I’ve been on your side for thirty-five years, so don’t go giving me any lectures now, do you hear?”

“Aw, honey, I’m sorry.” He hugged her sloppily and she patted his back. “I’m upset because once again the old barra-, I mean lady has stuck it to a couple of mortals and here we are. This poor little kid over here’s got a crippled son” (Mary-Shane felt her cheeks flush)”and a mouthy mother and Christ all who knows what else to contend with, and it bothers me. Mary-Shane, I love you, do you hear? No, I don’t mean like that for cryin’ out loud. I mean like a daughter. My darling and I tried and tried, you know, bless her soul, but we just never had any children. Ain’t that the pits? I’d be mighty proud to have a girl like you as a daughter. You’re pretty, you’ve got spunk, you’ve got that fresh honest approach. Oh what a fool Willow is. What fools the Burtongales are. You’d make a great reporter. I’d’a let Perry take you out there and whup you around and slap you into shape and we could’a sent you to the big time and been proud’a ya. So what do we get instead? Coverups! Hush hush! I tried to blow the lid off, Roger, but I couldn’t make it to first base past the old battle ax. Your mother, Patricia, pardon me. Mary-Shane, I just wanted you to know a few things. S’not fair.”

Roger cleared his throat. “We’re marry-ins, aren’t we?”

“Where to begin?” Jules rubbed his hands together, took a deep breath, slapped his hands together. “When you marry into the Burtongale family, the rules of the game quickly become clear. Miss Polly runs the show. Everyone jumps when Miss Polly says jump. They ask how high on the way up. My dear, I’m going to ask you to forgive me for anything I say that may hurt your feelings.”

Patricia blinked. She said in a clear (was there however a tremble?) voice: “It’s all been said a thousand times between us so go ahead, there won’t be any surprises.”

“When I married into this family,” Jules said, “I was a hot young journalism student just out of Columbia with everything going for me. That was when Kennedy was president and it seemed the sky had no limit. I worked on the New York Times for a year and met Patricia at a fancy dinner. One thing led to another and we came out here. At the time it seemed the best of all worlds—in love with a beautiful woman and her family just happens to own a newspaper! I became city editor ten years later, and by gosh, here I am twenty-some years later, still city editor but for a day or less.”

Patricia patted his hand.

“I’m okay, honey. Actually in a way it’s a relief. Now I clearly see the biggest mistake of my life, and that was staying in this town. You and I should have packed up years ago and gone who the hell cares where, even a hick town and I could be a hick reporter. Finally I’m free. Polly has nothing left to hold over me. And that’s probably why I’m going to blab it all tonight. And yes, my love, there are some things I have NOT told you. The Burtongale line is coming to an end. The Burtongales were a good institution in their time. They were vigorous people. Tough, ruthless. They built this town out of nothing but some pine trees overlooking the ocean. That was over a hundred years ago. Now their blood is tired, and there aren’t any strong ones left. Ever since people can remember, there’s always been a Miss Polly and a Wallace Burtongale. There have been, to be exact, six Miss Pollys and five Wallaces. Isn’t that odd though, a family pattern? A strong mother, a vigorous only son, and several beautiful daughters to rope in the best outside talent available. Sounds almost like some kind of genetic engineering. But the best engineering runs out. Goes flat. Goes bust. Just think for a moment. Patricia and I have no children. Janine and Mart have sons; no Miss Polly there. The late Wallace, who is sixty, and Margery, had only one son Gilbert. And guess what? Gilbert was a high school dropout, a druggie, and alcoholic with a history of arrests and violent behavior. There won’t be another Wallace. End of the line. Why do you think Miss Polly is such a tyrant? She stays alive because she knows she is the last Burtongale matriarch. And her son Wallace was the last real Burtongale man—educated, powerful, intelligent, above vices like dope and booze. The two of them are holding the scene together. Do you know why Miss Polly brought in Mart Willow? Because this was the first generation in a hundred years when there wasn’t a strong Burtongale man or woman to run the paper! Mart was a washout from a Midwestern rag where he angered everyone, but Miss Polly thought he was stronger than I and so she made him the master of the ship. Again, twenty years ago. I always figured he’d eventually move on up and out, but I’ve always been a terrible guesser. Mart has one quality. He kisses ass. No, he has two qualities. He would stab his own mother for a nickel. He had Miss Polly buffaloed and she worships the ground that pig walks on. And now to the sixty-four dollar question, Mary-Shane. Why does he hate you so much? The answer is simple.” Jules looked a mixture of surprised that she didn’t already know.

His eyes told her he seemed to realize that of course she couldn’t have guessed, and she waited for the revelation.

“He hates you because you’re good at what you do, which he isn’t; because you have that inner poise and springiness that he doesn’t; because you have integrity, which he can’t afford to have; and because you smile too much and must be happy, which he’s never been. Get it? He’s a miserable sycophant, caught in a position he can’t handle, and he defends himself by getting rid of people who might one day be a threat.”

Mary-Shane laughed. “Me? One day?”

“Don’t knock yourself. I could have been exec editor, and you could one day have become one of the first women city editors in this part of the state. That story you wrote, that got us fired, was first rate.”

Rain splattered against the windows. The oak tree bumped its branch against the eaves. The roof rattled and pattered with water.

Patricia slapped her knees. “Well, it’s late and I’m getting tired. You’ve said the truth.”

“May I add deferently,” Jules said, “the last flickering candle of Burtongale strength, integrity, and nobility shines here beside me.” They’d all had just a tad too much to drink, just a tad. Glasses were put in the sink. Coats were gotten. Umbrellas were popped open. Mary-Shane gave Jules a peck on the cheek, and a long hug, as they left.

If you like what you're reading, please send at least two other avid readers to this website.
     —Thank you!  …Your grateful author, John T. Cullen.
Cover  
Synopsis  
Buy  
Home

Go to Chapter:   Prolog  
 1    2     3     4     5     6     7     8     9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75  
Epilog  

  go back to top of page  
previous

Other gripping books by the author:


Read other exciting books by John T. Cullen

Copyright © 2005 by John T. Cullen. All Rights Reserved.

John T. Cullen has been a pioneer in digital publishing since 1996. He is listed by digital publishing historian Karen Wiesner as the sixth digital publisher in history, and the second person to publish serialized chapters on line (starting 1996). His web magazine Deep Outside SFFH was the first to be listed along with the professional pulps in Writer's Market (1999) and was at one time the oldest professional SFFH magazine in the world. John T. Cullen continues to explore new ways to adapt the primordial power of storytelling to emerging new digital opportunities as the Third Millennium springs to light.

next
A Walk in Ancient Rome by John T. Cullen, Simon & Schuster 2005, 2d Ed. Summer 2008
A Walk in Ancient Rome John T. Cullen (Simon&Schuster May 2005) innovative, acclaimed walking & teaching tour—explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history—smell and taste the very air of Classical Rome.





= Summer 2008 =

A Walk in Ancient Rome by John T. Cullen, Second Edition - Summer 2008, originally First Edition Simon & Schuster 2005
A Walk in Ancient Rome, Second Edition John T. Cullen (Clocktower Books 2008)—New! Many new maps; images from the unique scale model of AndréCaron of Quebec. Read this innovative book, with its acclaimed walking & teaching tour. Explore every corner of the Imperial capital at its zenith almost 2000 years ago; learn its history. Smell and taste the very air of Classical Rome. The new edition is bigger, like an atlas. Some people have carried the 1st edition with them to Rome, and found it greatly enhanced their experience.




Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. by John T. Cullen, (Clocktower Books, San Diego, Summer 2008)
Dead Move: Kate Morgan and the Haunting Mystery of Coronado, 2nd Ed. John T. Cullen (Clocktower Books, San Diego, Summer 2008). John T. Cullen has tackled the mystery of the ghost at the Hotel del Coronado. He has assembled a dramatic new theory about how and why she violently died on the back steps of the hotel in 1892. A first-class ghost story and whodunit wrapped in one.